Immerse

A photograph from the <n>Street Errands</n> series by photographer <n>KangHee Kim</n>.

Single artwork created by <n>Julia Schimautz</n> and <n>DTAN Studio</n>.

A still from the 2000 film <n>The Gleaners and I</n>, directed by <n>Agnès Varda</n>.

A <n>Poncirus trifoliata</n> tree, nicknamed 'Chemistree' for its branches' geometric structure.

The cover of <n>Olivia Laing</n>'s book features <n>David Wojnarowicz</n>'s 1970 photograph, <n>Untitled (Facial Fragment)</n>.

A still from the 1985 film <n>Ran</n>, directed by <n>Akira Kurosawa</n>.

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light, and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery — celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: ‘It’s not where you take things from — it’s where you take them to.’

<n>Death of an Image #2</n> (2005) by artist <n>Andrea Galvani</n>.

A drawing from <n>The Manhattan Transcripts</n> (1980-81) by architect <n>Bernard Tschumi</n>.

A still from <n>Meshes of the Afternoon</n> (1943), used as cover art for <n>Godflesh</n>'s EP <n>Decline & Fall</n>.

Miniature set of <n>The Hall of Doors</n> from <n>Tim Burton</n>'s 2010 film <n>Alice in Wonderland</n>.

A brand identity concept, <n>Minimal</n>, by designer <n>Julian Kleyn</n>.

A spread from the <n>Comme des Garçons</n> magazine <n>Six</n>, photographed by <n>Peter Lindbergh</n>.

A still from <n>WoodSwimmer</n>, a stop-motion film by animator <n>bfophoto</n> and musician <n>Conor Grebel</n>.

A kitchen sculpted in Brazilian <n>Taj Mahal Quartzite</n> by <n>Kitchens By Paul</n>.

Model <n>Linda Novotna</n> photographed by <n>Andreas Ortner</n> for <n>Harper's Bazaar Czech</n>, April 2018.

Digital illustration by <n>New Specimen</n>.

A photographic etching of model <n>Silje</n> by <n>Jack Davison</n> for <n>Document</n>.