<n>Tulips</n> (1986) by photographer <n>Robert Mapplethorpe</n>.

<n>Begonia</n>, c.1925, by photographer <n>Albert Renger-Patzsch</n>.

Film still from <n>As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty</n> (2000) by <n>Jonas Mekas</n>.

<n>Always Together n.2</n> by <n>Franco Anselmi</n>.

Nothing is supposed to connect with everybody.

Quote by herbalist <n>Rosemary Gladstar</n> for <n>For The Wild</n>.

A gown by <n>CUCCULELLI SHAHEEN</n>, photographed by <n>Mark DePaola Studio</n>.

Minimalist packaging for the <n>1m² Garden Seed Boxes</n> collection by <n>Graanmarkt 13</n>.

A still from <n>Andrei Tarkovsky</n>'s 1983 film, <n>Nostalghia</n>.

A film still of <n>Leonardo DiCaprio</n> in <n>The Basketball Diaries</n> (1995).

<n>Alain Delon</n> and <n>Romy Schneider</n> on the set of the 1969 film <n>The Swimming Pool (La Piscine)</n>.

From the 2015 documentary <n>Sharks of Wrath</n> by <n>Jérôme Delafosse</n>.

Vienna, 1990. Photo by <n>Kent Miles</n>.

The glowing eyes of alligators in a river in the <n>Everglades</n>, Florida.

<n>Untitled</n> (1978-80) by photographer <n>Tod Papageorge</n>, taken at the legendary <n>Studio 54</n> nightclub.

Collage titled <n>Free</n> by artist <n>Jesse Treece</n>.

A <n>surrealist</n> self-portrait, <n>Prejudice</n>, by Hungarian artist <n>Noell Oszvald</n>.

A photograph by <n>Absurdo Lírio</n> in tribute to artist <n>Francesca Woodman</n>.

Photograph by <n>Synchrodogs</n>, the duo of <n>Tania Shcheglova</n> and <n>Roman Noven</n>.

A <n>Vintage Brass Mirror</n> from Italy, 1960s, from <n>House of Huseth</n>.

<n>Falling Cat</n> (1894), a chronophotograph by French scientist <n>Étienne-Jules Marey</n>.

From the 'Self-awareness' chapter of <n>Clarity & Connection</n> by <n>yung pueblo</n>.