Ex. Xilografia

<n>Electric discharges</n> by <n>Étienne Léopold Trouvelot</n>, 1888.

Photo with styling by <n>christiane graf</n> and art direction by <n>𝐀𝐋𝐈𝐍𝐀 𝐋𝐀𝐑𝐈𝐒𝐒𝐀</n>.

Digital artwork <n>Fading empires, sequels in fog</n> by <n>BLHITE</n>.

Collage by artist <n>Sephora Venites</n>, curated by <n>Katya Suleymanova</n> for <n>Virtual Collage Gallery</n>.

A film still of <n>Serge Gainsbourg</n> and <n>Jane Birkin</n> from the 1969 film <n>Slogan</n>.

A still from the 1972 film <n>The Blood Spattered Bride</n> with <n>Maribel Martín</n> and <n>Alexandra Bastedo</n>.

Lazy summer mornings in Mallorca. Photo by <n>DELPHINE BRUNNER</n>.

<n>Serge Gainsbourg</n> and <n>Jane Birkin</n> photographed by <n>Roger Picard</n>, 1970.

A portrait of model <n>Lilly-Marie</n> by photographer <n>Lukas Erlebach</n>.

<n>Monterey Bay</n>, a gelatin silver print by <n>John Paul Edwards</n>, ca. 1924.

<n>Vision I</n>, a photograph by <n>Sina Kian</n>.

Model <n>Mia Arlove</n> for <n>Lee Mathews</n> Resort 2024, photographed by <n>Rahel Weiss</n>.

<n>Half Dome, Merced River, Winter</n> (1938) by <n>Ansel Adams</n>.

<n>Ornella Muti</n> in <n>La stanza del vescovo</n> (1977), directed by <n>Dino Risi</n>.

<n>Barbara Palvin</n> photographed by <n>Gilles Bensimon</n> for <n>Maxim</n>.

A self-portrait featuring jewelry from <n>Ophelia Jewelry</n>.