arteamor

Designer <n>Ray Eames</n> with a test pull of the <n>Dot Pattern</n> textile, circa 1947. Photo © <n>Eames Office</n>.

Artist <n>Pablo Picasso</n> in his studio, 1960. Photo by <n>Brassaï</n>.

Where Good Ideas Come From: How To Make the Most of Them

Ballet dancers <n>Alla Osipenko</n> and <n>John Markovsky</n>, circa 1970s.

<n>Jackson Pollock</n> at work in his Long Island studio, 1950. Photo by <n>Hans Namuth</n>.

Artist <n>Richard Serra</n> at work on one of his monumental paintstick drawings.

<n>Antimatter</n> (2012), a light installation by <n>Angela Bulloch</n> at <n>Museum De Pont</n>. Photo by <n>Peter Cox</n>.

AI-assisted interior study for the <n>Dripping Springs House</n> by architect <n>Andrew Kudless</n>.

<n>Quattro Stagioni: Autunno</n> (1993–95) by artist <n>Cy Twombly</n>.

<n>Fleurs</n> (1964) by <n>Pablo Picasso</n>.

A 1956 photograph by <n>Arnold Newman</n> of artist <n>Pablo Picasso</n> in his studio at <n>Villa la Californie</n>.

<n>Black Figure</n>, a 1948 lithograph by <n>Pablo Picasso</n>.

Artist <n>Josef Albers</n> in his studio with works from his <n>Homage to the Square</n> series.

Artist <n>Joan Miró</n> at work in his studio, circa 1979.

Artist <n>Pablo Picasso</n> in his <n>Villa La Californie</n> studio in Cannes, 1960. Photo by <n>David Douglas Duncan</n>.

Wearable sculpture by <n>Ye Young Kim</n>, photographed by <n>Amanda Henman</n>.

Artist <n>Henri Matisse</n> creating studies for the <n>Chapelle du Rosaire de Vence</n>, 1950. Photo by <n>Walter Carone</n>.

<n>The Embrace (L'Étreinte)</n> (1938) by <n>Henri Matisse</n>.

<n>Patitcha, máscara</n> (1947), an etching and aquatint by artist <n>Henri Matisse</n>.