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Writer <n>Henry Miller</n> in Big Sur, 1947. Photo by <n>Wynn Bullock</n>.

Architectural rendering of <n>Bridge-City</n> (1988) in Lausanne by <n>Bernard Tschumi</n>.

A still from the 1966 film <n>Closely Watched Trains</n> by director <n>Jiří Menzel</n>.

Digital artwork <n>letting go is hard but being free is beautiful</n>.

<n>Muhammad Ali</n> for <n>Apple</n>'s <n>Think Different</n> campaign (1997), created by <n>TBWA\Chiat\Day</n> and <n>Lee Clow</n>.

Model <n>Will Chalker</n> in the <n>Payperview</n> editorial for <n>Dazed & Confused</n>, June 1999. Photo by <n>Solve Sundsbo</n>.

<n>Stranger in a Strange Land</n> by photographer <n>Vijay Sarathy</n>.

'On a raft,' a <n>Pictorialist</n> photograph by <n>Don Hong-Oai</n>.

A still from the 1966 film <n>The Face of Another</n>, directed by <n>Hiroshi Teshigahara</n>.

The digital artwork <n>balance</n> by artist <n>SUPER BALANCED</n>.

Ad for <n>Capcom</n>'s <n>PlayStation 2</n> game <n>Onimusha: Warlords</n> (2001), with <n>Takeshi Kaneshiro</n> as guest creator.

<n>Face to face</n> by <n>MendezMendez</n>.

A still from the 1975 film <n>The Mirror</n>.

<n>agony and ecstasy</n> by <n>nothin</n>.

<n>VIRTUAL (NON)REALITY</n> by artist <n>Nick Kempton</n>.