Bleau

<n>Puppet</n>, a cyanotype tea bag installation by artist <n>Evgenia Efstathiou</n>.

Cover art for <n>푸르내</n>'s 2015 album <n>시장속으로</n>.

<n>Cyanotype on Book Paper 3</n> by <n>Dani Evans</n>.

Models <n>Chun Jin</n> and <n>Bingbin Chen</n> photographed by <n>Zeng Wu</n> for <n>T Magazine China</n>.

A look from the <n>Robert Wun</n> Autumn/Winter 2021 collection. Photo by <n>Niklas Haze</n>.

Poster for the <n>Antwerp</n> typeface, designed by <n>Henrik Kubel</n> of <n>A2-TYPE</n> in 2011.

The <n>ComfyBoy™ Runner 1.5</n> cap by <n>Actual Source Books</n>.

<n>Pintura Habitada (Inhabited Painting)</n>, 1975, by Portuguese artist <n>Helena Almeida</n>.

<n>BLUE</n> by <n>John Benedict Ryan</n>, used as cover art for <n>Alex Froot</n>'s 2021 album <n>Elegant</n>.

<n>Confiance</n>, a cyanotype on cardboard by <n>Émilie Léger</n>.

The <n>127 John Street Entrance Facade</n> (1968) by <n>Rudolph de Harak & Associates</n>. Photo by <n>Ezra Stoller</n>.

<n>Augustus Muller</n> of <n>Boy Harsher</n>. Makeup by <n>Francelle Daly</n>, styling by <n>Angel Emmanuel Ramirez</n>.

Detail of <n>The Test</n> (2023), an oil on canvas by <n>Katarzyna Kukuła</n>.

Entrance facade of 127 John Street, New York, designed by <n>Rudolph de Harak & Associates</n> in 1968.