Arabic calligraphy of the Quranic phrase <n>Kun fayakun</n>, meaning 'Be, and it is'.

The painting <n>Arabic manuscripts</n> from <n>Khawla Art & Culture</n>.

Poster for the 7th <n>BookPlays (演書節)</n> festival, designed by <n>SomethingMoonDesign</n> for <n>足跡step out</n>.

Poster for the <n>Tama Art University Open Campus</n> 2016, designed by <n>Rikako Nagashima</n>.

'Freedom' and 'Statement No. Infinity' stencil graffiti, a symbol of the <n>Syrian revolution</n>.

Graphic identity for the <n>Échelle Humaine Festival</n> by <n>Lafayette Anticipations</n>, exploring typography and gesture.

A grunge layout from <n>LAST KISS</n>, the final issue of <n>46pgs.magazine</n>, with art direction by <n>Samuel Eller</n>.

poster design/ дизайн постера/ @ptichka_plachet

September 2014 calendar page with Arabic and Tatar calligraphy by <n>Mardesign</n>.

Poster featuring <n>Carlo Mollino: Architect and Storyteller</n> by <n>Napoleone Ferrari</n> and <n>Guido Beltramo</n>.

Poster for the <n>Muzyka Pokoju Muzyka Wiary</n> music festival in Warsaw, 2022.

Poster by <n>Letitia Lin</n> for Taiwanese indie band <n>離合器 (Clutch)</n>.

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The <n>Harber</n> typeface by <n>Benoît Bodhuin</n>, presented at the 2024 <n>Inscript Type & Tech Festival</n>.

A self-portrait poster by South Korean graphic designer <n>Ahn Sang-soo</n>.

Graphisms , Typography , Infographics and Design - « La passion d’Ahn Sang-Soo, c’est la typographie coréenne : le hangueul. ... - CoDesign Magazine | Daily-updated Magazine celebrating creative talent from around the world

The <n>Constructivist</n>-style typeface <n>Font Red King</n>, designed by <n>Red King</n> in 2013.

February 2020 poster from the <n>Berlin Mond'ale</n> series by <n>Imad Gebrayel</n> for <n>WOMEN FOR COMMON SPACES</n>.

Bilingual Arabic and Latin typographic calendar design

<n>Typographic Composition № 061</n> by <n>Hundreds of Hundreds</n>, an analog collage in a <n>Swiss Grit</n> style.