A woodcut titled <n>A skeleton encircled with a decorative band</n>, an example of <n>Memento Mori</n> art.

An emblem from <n>Jean Baudoin</n>'s 1638 book, <n>Recveil D'Emblemes Divers</n>.

An illustration from <n>The Decameron</n> by author <n>Giovanni Boccaccio</n>.

<n>The Manifesto</n> by <n>Judas Studio</n>.

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Provido Consilio, a 17th-century engraved bookplate for <n>Joannes Philippus Papius</n>.

<n>Chalice containing Christ’s side wound</n>, an illumination by the <n>Master of Morgan 85</n>, c. 1500-1515.

Surrealist collage by the artist <n>welderwings</n>.

<n>Reflections</n> (1919) by Australian artist <n>Norman Lindsay</n>.

<n>Andrea Solario</n>'s painting, <n>Salome with the Head of Saint John the Baptist</n>, c. 1507-1509.

Detail of an angel from <n>Rogier van der Weyden</n>'s <n>The Virgin and Child (Durán Madonna)</n>, c. 1435-38.

Image from the <n>Prayer roll, Ms. G.39</n>, an English illuminated manuscript from ca. 1500.

The 'Self' card from the <n>Supra Oracle</n> deck by <n>Peter Dunham</n> and <n>Linnea Gits</n> of <n>Uusi</n>.

<n>A Goldsmith in his Shop</n> (1449) by <n>Petrus Christus</n>.

An illustration from <n>Augustine of Hippo</n>'s <n>De Civitate Dei</n>, translated by <n>Raoul de Presles</n>, c. 1370-1380.

An illustration for <n>Tales of Albion</n> (2004) by Ukrainian artist <n>Vladyslav Yerko</n>.

A 1646 engraving by <n>Cornelis Bloemaert</n> from <n>Giovanni Battista Ferrari</n>'s book 'Hesperides'.

An illustration of <n>The Antichrist</n> from the <n>Bodleian Library MS. Douce 134</n>.

An illuminated page from the <n>Misal de Alejandro VI</n>.

<n>Emperor</n>, a woodcut from <n>The Dance of Death</n> series by <n>Hans Holbein the Younger</n>, c. 1526.

A <n>Vanitas</n> still life by Flemish painter <n>Carstian Luyckx</n>, c. 1650.

<n>Memento Mori</n>, a 17th-century engraving by <n>Matthäus Merian</n> from his <n>Basel's Dance of Death</n> series.

Plate 10 from the 16th-century alchemical manuscript <n>Solidonius Philosophus</n>.

An engraving from the series <n>Passio Verbigenae</n> by <n>Marcus Gheeraerts the Elder</n>, ca. 1580.

Cover art for <n>Darvaza</n>'s album <n>The Silver Chalice</n>. Original illustration by <n>David G. Ljungdahl</n> (1766).

Anonymous engraving, "<n>Allegory of the Five Obstinate Monsters</n>," c. 1618, an allegory on <n>Arminianism</n>.

<n>Dymphna and Saint Lucy</n> (c. 1505), a painting by <n>Goswyn van der Weyden</n>.

<n>Bellona</n>, a 1633 oil on canvas painting by <n>Rembrandt van Rijn</n>.

Folio from the Book of Hours of <n>Giangaleazzo Visconti</n>, an illuminated manuscript by <n>Giovannino de’ Grassi</n>.

<n>The Apocalyptic Woman</n> (c. 1498), a woodcut from the 'Apocalypse' series by <n>Albrecht Dürer</n>.

<n>The Triumph of Death, or The Three Fates</n>, a c. 1510-1520 <n>mille-fleurs</n> tapestry depicting <n>Atropos</n>, <n>Lachesis</n>, and <n>Clotho</n>.

Engraving by <n>Johann Andreas Friedrich</n> after <n>Johann Melchior Füssli</n> for <n>Johann Jakob Scheuchzer</n>'s <n>Physica Sacra</n>, 1731.

Agostino Veneziano (Agostino dei Musi) | Ornamental Panel | The Metropolitan Museum of Art

A 1526 woodcut from the book <n>Triompho di Fortuna</n> by artist <n>Sigismundo Fanti</n>.

<n>Cutting the Stone</n>, an oil on panel painting by <n>Hieronymus Bosch</n> from around 1494.

<n>Ars moriendi</n>, a 15th-century woodcut illustration on the art of dying.

From the Rare Book and Special Collections Division