Prints

Poster by <n>Kurppa Hosk</n> for the <n>Grande Arche de la Défense</n>, designed by <n>Johan Otto von Spreckelsen</n>.

<n>Geräte für unsere Zeit</n>, a 1955 product leaflet designed by <n>Braun</n>.

The artist's book <n>Do Not Enter</n> (2000) by <n>Marlene MacCallum</n>.

Flyer for the <n>Spuren des Stillstands</n> exhibition, designed by <n>Klasse Cluss</n>, <n>marc roecker</n>, and <n>linus geiss</n>.

<n>A LINE</n> brand identity by <n>Daily Dialogue</n>. Photo by <n>Hannes Rohrer</n>.

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A 2022 calendar designed by <n>studio dolphins</n> using <n>G . F Smith Colorplan</n> and <n>Perrakis Papers</n>.

<n>Rauch & Seifenblase</n>, a visual experiment by designers from <n>Klasse Hickmann</n>.

Packaging for <n>Solange Knowles</n>' album and film, <n>When I Get Home</n>.

Visual for the <n>Right Grotesk Mono</n> typeface by <n>Alex Slobzheninov</n> for <n>Pangram Pangram® Foundry</n>.

Layout from the book <n>Fotografisk utbildning Göteborg 50 år</n>, designed by <n>Julius Åsling</n>.

The <n>Tiemann Reviæval</n> typeface by <n>J. Hunor Vári</n> is a revival of <n>Walter Tiemann</n>'s <n>Tiemann Mediaeval</n>.

Poster for the 2018 <n>OddBall: Masked</n> event, designed by <n>Ross Berens</n>.

Brand identity for <n>Gather</n>, a co-working and event space commissioned by <n>Hundred House Coffee</n>.

<n>Intral Typeface Specimen</n>, 2020. Created with <n>Project Archive</n> and <n>BA Visual Communication ZHdK</n>.

Brand identity for <n>Doconomy</n> by design studio <n>ID—C</n>. Photography by <n>Luca Mara</n>.

Poster for the <n>Spuren des Stillstands</n> exhibition, 2024. Design by <n>Linus Geiss</n> and <n>Marc Röcker</n>.

Newspaper for the <n>Most Beautiful Swiss Books × Pratt</n> exhibition, 2022. Typeface is <n>Exvoto</n>.

The book <n>E42</n> by artist <n>Aitor Bigas</n>, published by <n>PROGRESSO</n>.