graphic

Brand identity for <n>Graille</n> by designer <n>Valentin Pujadas</n>, using the <n>Gustavo</n> typeface by <n>Romain Oudin</n>.

The 1972 <n>New York City Subway Map</n>, designed by <n>Massimo Vignelli</n> at <n>Unimark International</n>.

The <n>New York City Transit Authority Graphic Standards Manual</n>, designed in 1970 by <n>Massimo Vignelli</n> and <n>Bob Noorda</n>.

Poster sketch for the Elevator event in Thun, Switzerland by <n>Studio Feixen</n>.

<n>The Brand Identity x CoType Foundry Posters</n> featuring the <n>Aeonik</n> and <n>RM Neue</n> typefaces.

Signage system for <n>MGC Bistrica</n>, designed by <n>Studio 360</n> in 2019.

Fictional racing-style decals by graphic designer <n>Bao T. Nguyen</n>.

The modular brand identity for <n>Home</n>, a social-first creative agency, designed by <n>Lama Lama</n>.

Poster proposal for the <n>Locarno Film Festival 75th Anniversary</n> by designer <n>Mikhail Lychkovskiy</n>.

A poster for <n>Slé</n>, a conceptual mobility project by designer <n>Jake Lerman</n>.

The <n>2024 Calendar</n> by graphic designer <n>Meinhard Taxer</n>.

Logo for brand agency <n>Ode to A</n>, founded by <n>Eva van Keijsteren</n> with design by <n>Emma van Bokhoven</n>.

<n>The Climate Clock</n> artwork, created by <n>Emzén Studio</n> in collaboration with <n>The Watch Annual</n>.

A typographic design of the letter 'A' by <n>MEDIAPLOT .</n> for the <n>36 Days of Type</n> project.

Poster by <n>Patrick Kos</n> for the <n>Blank Poster - WHOOP</n> exhibition in Dubai, 2017.

Visual identity for <n>Lupinc Wine Estates</n> designed by <n>Aleš Brce</n>.

Graphic design by <n>Massimo Vignelli</n>.

Brand identity for <n>Eisbach</n>, an urban surf brand based in Brooklyn, designed by <n>Jay Fletcher</n>.

Vignelli Forever Posters by Anthony Neil Dart