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Branding for the fictional <n>Institute of Synesthesia</n> by designer <n>Joe Diver</n> (<n>TheBadPrince</n>), 2024.

Hiroshi Fujiwara & Jun Takahashi: Seditionaries Collection Book, 2005 | Archive Fashion Scan | ARCHIVE.pdf

Futuristic 1970s interior by Italian designer <n>Joe Colombo</n>.

Cover art for the 2009 album <n>Pink Elephant</n> by musician <n>N'Dambi</n>.

From <n>Le Monde d’Hermes #84</n>, a grid of <n>Hermès</n> footwear. Creative direction by <n>Lane & Associates</n>.

A 2017 poster by designer <n>Helmut Lang</n> featuring <n>Peter Hujar</n>'s 1976 photograph, <n>Parked Car, Brooklyn</n>.

Brand identity for <n>IMS Studio</n> designed by <n>Daily Dialogue</n>.

<n>Untitled (Moonlight on Water)</n> (1990s) by artist <n>Patrick Ennis</n>.

Poster for <n>Andrew Norman Wilson</n> at the <n>Center for Contemporary Art Futura</n>, 2018. Design by <n>Anymade Studio</n>.

A work from the <n>Bit Leaves</n> series by artist <n>Baku Maeda</n>, 2016.

<n>Poster for Knoll International</n> designed by <n>Massimo Vignelli</n> in 1966.

A portrait of <n>María Sabina</n>, a Mexican healer and poet, accompanies her advice on healing.

<n>Céline</n> shoes styled by <n>Erik Raynal</n> for <n>Cero Magazine</n>. Photo by <n>Thomas Lohr</n>.

The digital artwork <n>Jakanen</n> by artist <n>Serifa</n>.

<n>Misura n. 1 (Measure no. 1)</n> (1960) by <n>Bice Lazzari</n>.

<n>spore</n>, a generative pen plot from the <n>numerical paleontology</n> series.

Interior designed by <n>Verner Panton</n> for the <n>Basler Zeitung</n> newspaper offices, 1970.

Poster for the <n>Il Moderno d’Autore</n> exhibition, designed by <n>AG Fronzoni</n> in 1991.

Poster for the <n>Yale School of Art Painting & Printmaking MFA Thesis 2023</n> exhibition, Group I.

captura-de-pantalla-2019-10-22-a-la-s-17.52.49.png | Are.na

<n>Comme des Garçons Shirt</n> Spring/Summer 2009 campaign by artists <n>Stephen Shanabrook</n> and <n>Veronika Georgieva</n>.