Folio 33v from the <n>Voynich Manuscript</n>, an illustrated codex from the early 15th century.

Icon of <n>Saint Ignatius of Antioch</n>, 17th c.

A <n>Byzantine</n> mosaic depicting <n>The Creation of the Sun, Moon and Stars</n>, c. 1220-30, in <n>St. Mark's Basilica</n>.

Niccolò di Tommaso | Man of Sorrows | Italian | The Metropolitan Museum of Art

<n>The Ascension of Our Lord</n>, a Russian icon from 1543 by the <n>Novgorod School</n>.

A volvelle from a Geomancy Almanac, c. 1450-1460, by the astrologer <n>Thomas de Pizan</n>.

An illustration from <n>Zakariyya' al-Qazwini</n>'s <n>The Wonders of Creation</n>, ca. 1550-1600.

An illumination of <n>Medlar, Poppy Anemone, and Pear</n> by <n>Joris Hoefnagel</n> from the <n>Model Book of Calligraphy</n>, with script by <n>Georg Bocskay</n>.

<n>Oczekiwanie</n> (2019) by Polish artist <n>Sylwia Perczak</n>.

<n>St Luke Painting the Virgin</n> (c. 1560-1567) by <n>El Greco</n>.

Marginalia from the <n>Walters Manuscript W.88</n>, a 14th-century Flemish Book of Hours.

Book of Hours, Marginalia, Walters Manuscript W.88, fol. 115v detail

<n>The Resurrection of Christ—the Harrowing of Hades</n>, an icon from the <n>Kirillo-Belozersky Monastery</n>, 1497.