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<n>El Posthumanismo o el Exilio Radical</n> by <n>Mane Tatulyan</n>, published by <n>Experimenta Editorial</n> in 2023.

A 1943 postage stamp from Brazil commemorating the <n>Centenary of Brazilian Stamps</n>. Printed by <n>Imprensa Nacional</n>.

The 2024 website refresh for <n>MOUTHWASH Studio</n>, designed and developed by the studio itself.

<n>Guillaume Apollinaire</n>'s 1918 calligram <n>Il Pleut</n> from the collection <n>Calligrammes</n>.

Visual identity for the first edition of <n>Gallery Weekend Montreal</n>.

<n>Liberi vettori di cultura</n> poster designed by <n>A. G. Fronzoni</n> for a 1979 event in Genoa.

<n>Grief and Dread</n>, a 2003 screenprint by artist <n>Janice Kerbel</n>.

Janice Kerbel at Catriona Jeffries, Vancouver

<n>etc</n>, a 1964 concrete poem by artist <n>Reinhard Döhl</n>.

A defining moment for Simone Engelen was when she was sexually abused by two individuals during her high school year in the U.S. This devastating event not only influenced how Engelen interacts with others but also reshaped her perception of intimacy. In ‘27 Drafts’, she visually articulates this...

Simone Engelen - 27 Drafts - Printed Matter

A 2022 New Year's poster, <n>Elements of Change</n>, designed by <n>Peter Korsman</n> for <n>Autograph</n>.

<n>Typographic Composition № 020</n>, a <n>minimalist</n> cut paper and Letraset collage.

<n>L'été</n>, a 1937 drawing-poem by artist <n>Joan Miró</n>.

<n>Noise Revolve</n>, a generative animation by the artist <n>echophon</n>.

<n>Bauhaus-Archiv / Museum für Gestaltung</n> poster by designer <n>Sascha Lobe</n> and <n>L2M3 Kommunikationsdesign</n>, 2014.

Poster by <n>Rudolf Büchler</n> for the 1960 <n>Typographie</n> exhibition at <n>Gewerbemuseum Basel</n>.

From the series <n>feelings of water</n> by artist <n>Annika Hansteen-Izora</n>.

Poster for the <n>White Body Tattoo®</n> event in Mexico City, 2013.

Models <n>Pablo</n> and <n>Abhijeet</n> for <n>Rimowa</n> in <n>Print Three</n>, photographed by <n>Sam Wilson</n>.