<n>Spectral Seating</n> by <n>ViewFromTheGrave</n>.

A look from <n>Abodi</n>'s Spring/Summer 2024 campaign, photographed by <n>SZILVESZTER MAKÓ</n>.

A visual by creative director <n>Yii Ooi</n> for the performance art event <n>《完美咪咪》 (Nice T!ts)</n>.

<n>Sara Caballero</n> for <n>Massimo Dutti</n>'s <n>Botanical Landscape</n> campaign.

Model <n>Cici Xiang</n> photographed by <n>Leslie Zhang</n> for <n>Numéro China</n>.

<n>Anok Yai</n> in <n>Balenciaga</n> for <n>T Magazine</n>, photographed by <n>Harley Weir</n> in 2020.

Knitwear by <n>jpan.archive</n>. Photo by <n>HOLLY MCCANDLESS-DESMOND</n>.

Model <n>Nyaueth</n> with makeup by <n>Chanel Beauty</n> for <n>Twin Magazine</n>.

A portrait of model <n>Kadija Kallon</n> from the archives of photographer <n>Yves Borgwardt</n>.

Model <n>Caitlin</n> for <n>Massimo Dutti</n>'s Studio collection. Photo by <n>Ed Martin</n>.

A look from the <n>AMOMENTO</n> Spring/Summer 2025 collection.

Model <n>진서아</n> in an eco fur jacket. Hair and makeup by <n>헤어메이크업 연수</n>.

A portrait of astronaut <n>Anna Fisher</n>.

A look from <n>Fear of God</n>'s Fall 2023 loungewear collection by <n>Jerry Lorenzo</n>.

An editorial for <n>Vogue Arabia</n> in Tokyo.

Model <n>Alex Consani</n> for <n>CR Fashion Book</n>'s Spring/Summer 2023 issue. Photo by <n>Vitali Gelwich</n>.

Fringe N Thin's, from <n>Afrostyle Mag</n>.

Model <n>NEUS</n> for <n>Archive Spring 2025</n>. Photo by <n>Alejandro Arrias</n> and <n>David Bravo Bustos</n>.

Model <n>Zaya Guarani</n> wears a <n>Tupinambá Mantle</n> by artist <n>Glicéria Tupinambá</n> for <n>Vogue UK</n>. Photo by <n>Rafael Pavarotti</n>.

<n>Eny Jaki</n> for <n>L'Officiel Hommes Türkiye</n> wearing <n>AZIZ</n>. Styled by <n>Yagmur Kural</n>.

Actor <n>Milly Alcock</n> for <n>Behind The Blinds Magazine</n>, photographed by <n>Emilia Staugaard</n>.

<n>The Invisible Hand</n>, 1997, a Kirlian photograph by <n>Veli Granö</n>.

The photograph <n>Uncertainty</n> by <n>John Batho</n>.

Photograph by <n>Albert Watson</n> of model <n>Saskia de Brauw</n> in <n>Iris van Herpen</n>, 2019.