From a celebration for <n>Amare Bride</n>, an outfit featuring vintage <n>Laura Ashley</n> and <n>Gucci</n>.

An installation of <n>Vetropieno Siena Brown glass bricks</n>, featured by <n>FIRST BASE</n>.

<n>Night Navy with Burning Ships</n> (1860) by artist <n>Marcus Larson</n>.

<n>A Ruined Gothic Church beside a River by Moonlight</n> (1841) by painter <n>Sebastian Pether</n>.

<n>Luca Vitone</n>'s installation <n>Il sipario (il mare)</n> at <n>Museo Novecento</n>. Photo by <n>Dario Lasagni</n>.

Model <n>Malgosia Bela</n> for <n>Jil Sander</n>, photographed by <n>Juergen Teller</n>.

<n>Beyond Reality</n> (2015) by artist <n>Kristjan Järv</n>.

Interior detail from the <n>PandaDoc Office</n> by <n>Studio11</n>. Photo by <n>Dmitry Tsyrencshikov</n>.

<n>Phalacrocorax Aristotelis in Midnight Sun</n> by <n>Thorolf Holmboe</n>.

<n>Rocky Coast in the Moonlight</n>, 1830, by <n>Johann Nepomuk Schödlberger</n>.

<n>The Destruction of Pompeii and Herculaneum</n> (1822) by <n>Romantic</n> painter <n>John Martin</n>.

From the editorial <n>Frozen</n> for <n>Vogue China</n>'s February issue.

<n>Breaking Through</n> by <n>Michael Handt</n>, an oil on canvas homage to <n>Albert Bierstadt</n>'s 1870 painting.

<n>Jil Sander</n> Spring/Summer 1996 campaign with <n>Amber Valletta</n>, photographed by <n>Peter Lindbergh</n>.

<n>Ground 6</n> (1993) by artist <n>Uta Barth</n>.

<n>Spiral Jetty after Robert Smithson</n> (1997) by <n>Vik Muniz</n> from his Pictures of Chocolate series.

The <n>Space</n> bookcase, designed by <n>Piero Lissoni</n> for <n>Glas Italia</n>.

Performer <n>Valeska Gert</n> in her <n>German Expressionist</n> dance <n>Hexentanz (Witch Dance)</n>, c. 1925.

<n>The Wreck</n> (c. 1835), a Romanticist painting by Norwegian artist <n>Knud Baade</n>.

Interior of <n>Levent Privé 2</n>. Photo by <n>Assembly Buildings</n>.

From the series <n>Sur les traces de l'Afrique fantôme</n> by photographer <n>Françoise Huguier</n>, Mali, 1989.

Interior by designer <n>Christiane Lemieux</n> for <n>Lemieux et Cie</n>.

<n>John Martin</n>'s painting, <n>The Seventh Plague of Egypt</n> (1823), depicts <n>Moses</n> and <n>Aaron</n>.