to live is to move

<n>The Astral Man</n> by <n>Sascha Schneider</n>, 1903.

A scene from <n>Alfred Hitchcock</n>'s 1951 film <n>Strangers on a Train</n> featuring <n>Robert Walker</n> as Bruno Antony.

A still from the 2000 film <n>The Gleaners and I</n>, directed by <n>Agnès Varda</n>.

A long-exposure photograph of a dancer by <n>Gjon Mili</n>.

<n>What is the purpose of always wanting to be something else?</n> by artist <n>Adam Pizurny</n>.

Animated GIF from the series <n>Extremities</n> by artist <n>Emilio Gomariz</n>.

An aesthetic image associated with the fan fiction <n>Manacled</n>.

<n>Danse</n> (1933), a photograph by <n>Yva</n>.

<n>Omphalos</n>, a dance performance choreographed by <n>Damien Jalet</n> with set design by <n>Jorge Ballina</n>.

Dancers from the <n>Margaret Morris</n> school, circa 1920s.

From <n>Wassily Kandinsky</n>'s 1926 series <n>Dance Curves: On the Dances of Palucca</n>, featuring <n>Gret Palucca</n>.