Idyllic Source

<n>Full Stop</n> (1961), a painting by artist <n>John Latham</n>.

Cover art for the <n>CRUX - Drum Kit</n> from the <n>CRUX.world</n> visual system.

<n>Oscillon 40</n>, an electronic abstraction by artist <n>Ben Laposky</n>, 1952.

<n>smoke and flame</n> (2002), a painting by <n>Robilee Frederick</n>.

The <n>Sagano Bamboo Forest</n> in Arashiyama, Kyoto.

Artwork by <n>Anish Kapoor</n> from a 2016 exhibition at <n>Kukje Gallery</n>.

<n>Oscillon 40</n> (1952) by artist and mathematician <n>Ben F. Laposky</n>.

<n>Untitled</n> (1967), a silkscreen print by <n>Lee Bontecou</n>.

"Gray Brain" (2023), a drawing by <n>Loie Hollowell</n> for the <n>From the Ashes</n> auction.

<n>The Wave</n> (1917) by artist <n>Christopher Richard Wynne Nevinson</n>.

Packaging for Oslo-based donut and coffee shop <n>Talor Made</n>, designed by <n>Bielke&Young</n>.

<n>Analog-Grafik D3 (Dance of the Electrons)</n> by <n>Herbert W. Franke</n>, 1962.

<n>Lençóis Maranhenses National Park</n> in Brazil, photographed by <n>Simon Harsent</n>.

A pen plot titled <n>Genuary day 31: Negative space</n> for the <n>Genuary 2022</n> challenge.

<n>Baller Brigade Poster</n> by graphic designer <n>Sour Shower</n>.

<n>Module Mix Type Exploration</n>, a 2023 poster with mockup by <n>Anna</n>.

A <n>Siamese fighting fish</n> photographed by <n>Visarute Angkatavanich</n>.

Generative plotter art titled <n>Corrupted • #plotparty Glitches</n>.

Typeface Pickle-Standard both obeys and rejects the grid at the same time

Visual identity for the 2023 <n>Solis Festival</n> in Marseille, designed by <n>Adrien Bargin</n>.

<n>Course</n>, an artwork by <n>Rachel Garrard</n>.

Floral installation by <n>Madori</n>. Photo by <n>Jenni Haikonen</n>.