idiom

Plate from <n>Sir Robert Stawell Ball</n>'s book, based on 1878 eclipse photos by <n>William Harkness</n>.

<n>Interference of Waves</n> by <n>Berenice Abbott</n> on the cover of <n>Think Magazine</n>, February 1962.

A still from the 1999 film <n>American Beauty</n>.

Cover of <n>SM Sniper</n> magazine's November 1989 issue, with art by <n>Pater Sato</n>.

Illustration of composer <n>Moondog</n> by <n>João Fazenda</n> for <n>The New Yorker</n>.

<n>Digital Immortality</n> by <n>saqadiq</n>.

A still from the 2013 film <n>Young & Beautiful (Jeune & Jolie)</n> by director <n>François Ozon</n>.

Poster for the <n>Silvor Vortigo Strieborný závrat</n> exhibition, designed by <n>Kristýna Kulíková</n>.

Go to the limits of your longing: Let everything happen to you: Beauty and terror. Just keep going. No feeling is final.

- Rilke

Cover of <n>The Situationist Times n°4: Labyrinth Issue</n>, edited by <n>Jacqueline de Jong</n> in 1963.

Quote by writer <n>Alnoor Ladha</n>. Graphic by <n>advaya</n>.

A still from the 1999 film <n>The Wind Will Carry Us</n>, directed by <n>Abbas Kiarostami</n>.

Brand identity for <n>Postcard</n>, a New York-based rug company, by <n>Philip Stein Design Collective</n>.

<n>Hände</n>, a self-portrait by <n>Grete Kolliner</n>, 1929.

A still from the 1966 film <n>Masculin Féminin</n>, directed by <n>Jean-Luc Godard</n>.

Film credits for the <n>Lauren Manoogian</n> Autumn/Winter 2018 collection.