<n>Hauptverwaltung Rank Xerox</n> in Düsseldorf, a <n>Brutalist</n> building by <n>Helmut Hentrich</n> and <n>H. Petschnigg</n> (1966-71).

Screenprint by artist duo <n>Palefroi</n> (<n>Marion Jdanoff</n> and <n>Damien Tran</n>).

Interior of <n>Casa Alférez</n> by <n>Ludwig Godefroy Architecture</n>. Photo by <n>Rory Gardiner</n>.

Album art for <n>Deixa Meu Cavalo Andar</n> by <n>suhnrize</n> and <n>Tropa do Bruxo</n>, released in 2023.

<n>CBR Building</n> in Brussels by architect <n>Constantin Brodzki</n>, 1970. Photo by <n>Save As Photography</n>.

A graphic design collage featuring branding for <n>A Bathing Ape</n>.

A rider wears <n>JACQUES MARIE MAGE</n> during a bareback horse race on a Nebraska reservation.

<n>Snaidero Office Building</n> in Majano, Italy, designed by <n>Angelo Mangiarotti</n> (1978). Photo by <n>Roberto Conte</n>.

The <n>Bacardi Office Building</n> in Mexico, designed by <n>Ludwig Mies van der Rohe</n> and <n>Félix Candela</n> (1957-1961).

<n>Puma Energy El Salvador Headquarters</n> by <n>Ruiz Pardo - Nebreda</n>. Photo by <n>Jesús Granada</n>.

under 7, Edition of 10, Print 1 Printmaking by Micosch Holland | Saatchi Art

Still from <n>Nagisa Ōshima</n>'s 1969 film, <n>Diary of a Shinjuku Thief</n>.

An <n>analog collage</n> for <n>The New York Times Book Review</n> illustrating the book <n>There Is No Ethan</n>.

From the <n>Schön! Magazine</n> editorial '<n>let things come</n>'. Photo by <n>Tomas Hein</n>, makeup by <n>Claudia Kepp Prins</n>.

A collage for the creative lab <n>NERVIO</n>.

A photograph by <n>Aaron Brimhall</n> for <n>JACQUES MARIE MAGE</n>.

Architectural model of the <n>Horiuchi House</n> by <n>Tadao Ando</n>, published in <n>GA Document</n> in 1983.

<n>Typographic Composition № 061</n> by <n>Hundreds of Hundreds</n>, an analog collage in a <n>Swiss Grit</n> style.

The <n>Snaidero Office Building</n> in Majano, Italy, designed by <n>Angelo Mangiarotti</n> in 1978.