LGTBIQ+

Dialogo tra le eterne finzioni di Kensuke Koike e i lavori di Terry Renda

Photo by <n>Oliviero Toscani</n> for <n>Roman Style Co.</n>, 1984.

Untitled collage by artist <n>Katrien De Blauwer</n>.

A mixed media collage by artist <n>Jesse Draxler</n>.

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MY WORK FEATURED IN AESTHETICA MAGAZINE - Sven Pfrommer // visual art & photography

<n>Chalkboard sketch</n> by artist <n>Ian Hodgson</n>.

Poster for the <n>Tama Art University Open Campus</n> 2016, designed by <n>Rikako Nagashima</n>.

<n>The Embrace</n> (2016), a surrealist analog photograph by <n>Nathalie Ericson</n>.

<n>Harvard Street</n> (2013) by artist <n>Ian Strange</n>, from the <n>Suburban</n> series.

A look from the <n>Claude Montana</n> Autumn/Winter 1990 collection.

<n>!PROTEST!</n> (2005), an archival pigment print by artist <n>Priscilla Briggs</n>.

A still of <n>Henry Fonda</n> in <n>Alfred Hitchcock</n>'s 1956 film <n>The Wrong Man</n>.

A photograph from the series <n>La maison qui m’habite encore</n> by <n>Aassmaa Akhannouch</n>, 2020.

<n>Off II</n>, a 2010 photograph by artist <n>Johan Rosenmunthe</n>, featured in <n>IGNANT</n>.

Extraordinary images of defiant 19th-century lesbian women

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