Album artwork for <n>Space & Awareness</n> by <n>Inhmost</n> (<n>Simon Huxtable</n>) for <n>Tonight's Dream Records</n>.

<n>Gold Arch Bench</n> in patinated solid brass, designed by <n>Pietro Franceschini</n>.

Plate XI showing the <n>dome and plume formation by 300-lb. TNT charges</n> fired at four depths.

A still from the 1972 film <n>Lives of Performers</n> by director <n>Yvonne Rainer</n>. Photo by <n>Babette Mangolte</n>.

The <n>Garden House</n> in Victoria, Australia, designed by <n>Baracco + Wright Architects</n>. Photo by <n>Rory Gardiner</n>.

The 2017 publication <n>Jekyll & Hyde</n> for <n>Un Sedicesimo</n>, with quotes from <n>H.G. Wells</n> and <n>Albert Einstein</n>.

1984 poster for the <n>Meet the NIH Fire Department</n> event, sponsored by the <n>Division of Safety</n>.

From the series <n>Eyes as Big as Plates</n> by photographer <n>ǝɓuılloɔ ǝıuuɐ</n> and artist <n>Riitta Ikonen</n>.

A photograph of a <n>Barn Owl</n> at night.

The <n>Human Figures</n> project by studio <n>Six N. Five</n>.

<n>The New Aesthetic and its Politics</n>, a book designed by <n>Steve Michaelis</n> in 2013.

From the <n>Tarik & Jane</n> series, photographed by <n>Tarik & Jane</n>.

<n>Eva Green</n> as the <n>Venus de Milo</n> in <n>Bernardo Bertolucci</n>'s film <n>The Dreamers</n> (2003).

Poster for <n>CHVRCHES</n> at the 2016 <n>Capitol Hill Block Party</n>, designed by <n>Cory Schmitz</n>.

<n>Because Beauty Matters</n>, a digital artwork.

Collage by <n>Ruben Gray</n>, selected by <n>Katya Suleymanova</n> for <n>Virtual Collage Gallery</n>.

<n>Dimitria 54</n> visual identity by <n>studio dolphins</n>.

<n>L'été</n>, a 1937 drawing-poem by artist <n>Joan Miró</n>.

<n>Alpenveilchen</n>, a photograph by <n>Max Baur</n>, c. 1930.

Movements of dancer <n>Gret Palucca</n> photographed by <n>Charlotte Rudolph</n> and drawn by <n>Wassily Kandinsky</n> for the essay <n>Dance Curves</n> in <n>Das Kunstblatt</n>, 1926.