<n>Pressing Matters 1 — Everyday</n>, a student publication from <n>Ensad Nancy</n> and <n>Sciences Po Nancy</n>.

Cover for <n>Typographische Monatsblätter</n> issue 11, 1964. Design by <n>Felix Berman</n>.

<n>Moving Art</n>, a motion graphic by <n>Anthony Velen</n>.

A still of <n>Natalya Varley</n> in the 1967 horror film <n>Viy</n>.

<n>Perfume Bottle Telline</n>, designed by <n>René Lalique</n> in 1920.

Poster for the '<n>From the Voice to the Library</n>' conference with <n>Astrid Seme</n> in Nancy, 2024.

<n>Backrooms: Disappointing Ending</n>, a 2022 digital render by artist <n>AquaticEntity</n>.

Portfolio-journal for <n>ADA Studios</n>, led by <n>Cesare Bianchetti</n>. Uses <n>ABC Diatype</n> typeface.

A graphic design poster with <n>Swiss typography</n> influences. Photo by <n>Nick Fancher</n>.

A UI mockup of the <n>VSCO Creator Funds</n> feature.

<n>TOGETHER WITH FAIR / SUMMER 2023</n>, a digital artwork collaboration. Motion by <n>Daniil</n>.

<n>Wave UFO</n> (1999-2003), an interactive installation by artist <n>Mariko Mori</n>.

From the <n>Handicraft Shop</n> project by <n>Sofie Ernst-Lyngbye</n>. Photo by <n>David Stjernholm</n>.

Branding for <n>Mesura</n> by <n>MOUTHWASH Studio</n>.

<n>Spiked</n>, an inflatable installation by artist <n>Steve Messam</n> at the <n>Ionic Temple, Rievaulx Terrace</n>, 2015.

<n>Spectre #03 – Contemporary Ruins</n>, a magazine published by <n>Cosa Mentale</n> with design by <n>Spassky Fischer</n>.

<n>To Let Go</n> (2006), a painting by artist <n>Hrvoje Majer</n>.

The <n>Sony GV-8 Video Walkman</n>, a portable video player released in 1988.

Brand identity for photographer <n>Jaci Vigil</n> designed by <n>Lesse Studio</n>.

A still from the 1985 short film <n>Arabesques on the Theme of Pirosmani</n> by <n>Sergei Parajanov</n>.

Color palette from the <n>B-Design 2.0</n> system, created by <n>Alibaba Cloud Design</n>.

3D title card for the <n>Acne Studios</n> <n>Fall/Winter 2023</n> show invitation.

<n>Liquid Script</n>, a digital sculpture by <n>Kim Woong-Yong</n>.