THE AM — BRAND

Table of contents from the <n>Anuário'19</n> book.

Semi-custom brand identity for <n>KREER</n>.

Collage from the <n>Recollecting</n> exhibition by artist <n>Anne Misfeldt</n>, curated by <n>Galleria Matria</n>.

A specimen poster for the <n>Gourmand Grotesque</n> typeface, referencing artist <n>Jeff Koons</n>.

Visual identity for the <n>Courts Circuits</n> project, promoting carbon-free artistic tours.

Self-portrait by artist <n>Leo Horton</n>.

Poster for the <n>Red Bull Music Festival</n> in Berlin, 2018.

<n>I am Dora</n> (2014) is a project about <n>Dora Moutot</n>'s identity. Design by <n>Claire Huss</n>, photo by <n>Charles Negre</n>.

Poster for <n>Tasha</n>'s Spring 2019 tour with supporting act <n>Hand Habits</n>, designed by <n>Crystal Zapata</n>.

A design project reinterpreting <n>Shirley Jackson</n>'s story <n>The Lottery</n>, using the <n>Times Now</n> typeface.

The limited edition book <n>Beaverthorn</n> by <n>Paul Beaverthorn</n>.

Zines made from proofs of art director <n>Shingo Kurono</n>'s book, <n>(UN)TITLING</n>.

A flat lay of the <n>From The Archive Photo Album</n> and <n>Archival Gloves</n> by <n>Paperri</n>.

Package design for the <n>ENHYPEN 2025 SEASON’S GREETINGS</n>. Photo by <n>Choi Na rang</n>.

Poster by <n>Patrick Thomas</n> for his <n>PULP Exhibition</n> at <n>A—Z</n> gallery in Berlin, 2019.

A design proof for <n>Typology</n>'s <n>9-Ingredient Face Moisturizer</n> packaging.

The <n>WOOD WOOD 2-22</n> book, celebrating the brand's 20th anniversary. Designed by <n>Wrong Studio</n>.

Flyer for the <n>Arxe 2024 Presentation</n> in Buenos Aires, designed by <n>Azul Sanseverino</n>.

Website for art director <n>Staffan Sundström</n>, featuring his photography for the <n>Mannström</n> 2019 collection.

70s-style haircut by <n>Crap Hair Club</n>.

<n>TRACCE, STASI, DERIVA</n>, a thesis project for <n>NABA</n> exploring urban spaces in Rome. Printed by <n>Newspaper Club</n>.

Digital illustration <n>Büromarks</n> by artist <n>Daniel Morena</n>.