até porque com cor fica

Identity design by <n>Slava Fedutik</n> for <n>DUE.D. art gallery</n>, promoting an exhibition by <n>Jörn Vanhöfen</n>.

The book <n>Rien, Presque</n> by artist <n>Michel Mazzoni</n>, published by <n>MER. Studio Luc Derycke</n>.

<n>A street in Beijing as seen from inside an antique dealer's shop</n>, 1965, by <n>Marc Riboud</n>.

Chronophotographs of falling animals by French scientist <n>Étienne-Jules Marey</n>, 1894.

A 1955 collage from the Verso series by artist <n>Leigh Wells</n>, inspired by the art of Ikebana.

A still from the 1972 film <n>Lives of Performers</n> by director <n>Yvonne Rainer</n>. Photo by <n>Babette Mangolte</n>.

<n>Age of Innocence in Sheung Wan</n>, a photograph by <n>Fan Ho</n> taken in Hong Kong in the 1950s.

Film still from <n>The Trial</n> (1962), directed by <n>Orson Welles</n>. Cinematography by <n>Edmond Richard</n>.

A still from Super 8 footage transferred to a cyanotype print, featuring <n>Daisie Jacobs</n> for <n>The Sustainable Darkroom</n>.

Artist <n>Richard Serra</n> at <n>Gemini G.E.L.</n> in 1988. Photo by <n>Sidney B. Felsen</n>.

Artist <n>Henri Matisse</n> creating studies for the <n>Chapelle du Rosaire de Vence</n>, 1950. Photo by <n>Walter Carone</n>.

<n>Falling Cat</n> (1894), a chronophotograph by French scientist <n>Étienne-Jules Marey</n>.