Max for Live

A detail of the <n>Teenage Engineering</n> <n>OP-1 field</n> synthesizer's user interface.

<n>OP-Z Field Concept</n> render by artist <n>Johannes Parr</n>, inspired by <n>Teenage Engineering</n>.

The <n>T-1 Algorithmic Sequencer</n> by <n>Torso Electronics</n>.

Create percussive polyrhythmic sequences and explore endless melodic variations. T-1 is an expressive algorithmic sequencer that goes beyond traditional step sequencing by applying a hyperfluent way of creating musical structures.

T-1 Algorithmic Sequencer

A music production setup featuring <n>Ableton</n>'s <n>Live 12.2</n> software and its <n>Push</n>, <n>Move</n>, and <n>Note</n> hardware.

UI for the <n>Particle-Reverb 7.0</n> plugin from the <n>Digital Material Language</n> project by <n>Kentaro Suzuki</n>.

<n>Indeterminate Loaders in Figma</n> by <n>Nitish Khagwal</n>.

A grid of <n>Lissajous curves</n>, named after physicist <n>Jules Antoine Lissajous</n>.

Teenage Engineering OP–1 field UI colors are 🔥

Visual identity for <n>Viante</n> by design agency <n>Naau</n>.

The user interface for <n>Opal</n>, a rhythm machine developed by <n>Fors</n>.

The user interface of the <n>OP-1 field</n> synthesizer by <n>Teenage Engineering</n>.

A 2014 digital illustration of UI elements from the <n>OP-1</n> synthesizer by <n>Teenage Engineering</n>.

A detail of the <n>Teenage Engineering OP-1 field</n> portable synthesizer.

A demo track for the <n>Kolor</n> audio plugin by <n>Felt Instruments</n>, created using <n>Ableton</n> software.