248245412_418388563230859_5930509611220770227_n.jpg?stp=dst-jpg_e35-_nc_ht=instagram.fcxh2-1.fna.fbcdn.net-_nc_cat=107-_nc_o... | Are.na

<n>YTF Garamông</n> typeface designed by <n>Lâm Bảo</n> for <n>Yellow Type Foundry</n>, 2024.

Type specimen for <n>ALT Maria Clara</n>, a typeface by <n>Alli Cunanan</n> and <n>ALT.tf</n>.

The <n>Belle de Mai</n> typeface by <n>Type Department</n>.

A campaign visual for the <n>Nike</n> <n>GT Cut Series</n>, part of the <n>INFINITE GAME</n> collection for Summer 2023.

Packaging design by <n>STUDIO MARINA VEZIKO</n> for <n>Packhelp</n>. Photo by <n>Aleksi Samueli Tikkala</n>.

A graphic from <n>Open</n> featuring a quote by its co-founder <n>Raed Khawaja</n>.

Living Identities, a motion branding manifesto by <n>Plenty</n>. Directed by <n>Leo J. Martín</n>.

A digital drawing of a cat by <n>brookskim</n>.

The logo for <n>Dope Sound</n>, a conceptual music label, designed by <n>Conor M.</n> in 2019.

The Winter 2025 cover for <n>WIRED</n> Europe. Art direction by <n>Ben Hinks</n>.

The logo for <n>Sloan Springer Architect</n>.

<n>Everybody Loves The Sunshine</n>, a typographic illustration by <n>Carl Cozier</n>.

A promotional graphic for retailer <n>Rue Miche</n> showcasing its curated collection of brands.

The 2019 risograph print <n>Interference</n> by artist <n>Joana C. Carvalho</n>.

<n>Owl</n> logo design by <n>James Coffman</n>.

Cover art for the album <n>Smiley</n> by electronic music group <n>Orbital</n>.

Branding for <n>Équipe de France de Basket</n> for the <n>EuroBasket 2025</n> tournament.

<n>Ambrosia</n> custom lettering by <n>Folch Studio</n> for a <n>Marset</n> campaign.

The evolved <n>Mountain Hardwear</n> logo, part of a new brand identity developed by <n>Gretel</n>.

<n>Next Station</n>, a 2025 digital artwork by animation studio <n>Petrick®</n>.