graphique design //

<n>Rampage</n> website design by <n>Verholomchuk</n>, 2023.

Cover for <n>Idea Magazine, no. 41</n>, designed by <n>Theo Dimson</n>, June 1960.

A portfolio showcase from design firm <n>MOUTHWASH Studio</n>.

An <n>Afrofuturist</n> digital illustration by artist <n>J.Fly</n>.

The digital artwork <n>Firm</n> by artist <n>Omar Khatap</n>.

Artwork featuring DJ <n>Naomi</n> for the <n>Vitamin Disco w/ Naomi & FUZZ at Charlatan</n> event in 2019.

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<n>Fehlen</n>, a graphic poster by the Copenhagen-based design studio <n>Cove Poster</n>.

<n>I Still Believe in Celluloid</n>, a book by designer <n>Mònica Losada</n> about filmmaker <n>Antoni Pinent</n>.

Brand identity for skincare brand <n>Reome</n> by <n>1/1 Studio</n>. Photo by <n>Benjamin Madgwick</n>.

Visual identity for <n>Become One</n>, 2021. Type design by <n>Alessio D'Ellena</n> and <n>Dinamo Typefaces</n>.

Concert poster for <n>Broncho</n> with supporting acts <n>Boyo</n> and <n>Rinse & Repeat</n>.

The July 1967 cover of <n>Shinkenchiku (The Japan Architect)</n> featuring <n>Kazuo Shinohara</n>'s <n>House in White</n>.

Artwork <n>Body Scale, Circle Triangle Square</n> (1977) by Japanese artist <n>Masaki Nakayama</n>.

A graphic from <n>Open</n> featuring a quote from <n>Manoj Dias</n>'s meditation, “Clarity and Gratitude.”

Poster by <n>sankim</n> for the 2008 exhibition <n>Contemporary Art Expression: Material & Technique</n> at <n>The Niigata Bandaijima Art Museum</n>.

Cover of <n>Javier Echalecu</n>'s book <n>Sin Noticias del Mundo Animal</n>, published by <n>Mr. Griffin</n>.