Objects

<n>Copper Ribbon</n>, a 1969 <n>Minimalist</n> sculpture by artist <n>Carl Andre</n>.

<n>Constantin Brancusi</n>'s drawing, <n>Symbol of James Joyce</n> (1929).

<n>Clay female figures</n> from Predynastic Egypt, c. 3500-3400 BC.

Cover art for the audio work <n>self hypnosis</n> by <n>Julia E. Dyck</n> and <n>Spectral Center</n>.

<n>The Beauty in the form</n>, visual research for the <n>KALEOS (THE BEAUTIFUL SHAPE)</n> Brand Book.

An <n>Ashanti gold weight</n> in the shape of a sawfish. Photo by <n>Hervé Lewandowski</n> for <n>Réunion des Musées Nationaux</n>.

From the book <n>Masks: Their Meaning and Function</n> by <n>Andreas Lommel</n>, published in 1972.

<n>L’amoureuse</n> by artist <n>Anne De Gelas</n>.

Art collector <n>Peggy Guggenheim</n> with <n>Alexander Calder</n>'s mobile, <n>Arc of Petals</n>, c. 1960s.

Japanese clay vessels from the <n>Tokyo National Museum</n>, featured in <n>Japan before Buddhism</n> by <n>J. Edward Kidder</n>.

<n>Fragments of mismatched faces</n> at the <n>NCG - Ny Carlsberg Glyptotek</n>. Photo by <n>mk sadler</n>.

<n>Clay female figure</n> from Egypt, c. 3500-3400 BC.

<n>Ancient keys</n>, posted by <n>Hagiophobic</n>.

<n>Kabyle women</n> carrying clay jugs of water in Algeria, c. 1890-1900. Photo by <n>Jean Geiser</n>.

Artist <n>Pablo Picasso</n> in his studio in Vallauris, France, 1954. Photo by <n>Arnold Newman</n>.

Ceramic vessels by artist <n>Hans Coper</n>.

<n>Alexander Calder</n>'s sculptures <n>The Big Ear</n> (1943) and <n>Black Beast</n> (1940) at MoMA.

A museum-style composition by illustrator <n>Ana Bustelo</n>.

<n>Migo</n> chair in solid oak, designed by <n>Pascal Hien</n> in 2018.

Photogravure of <n>Equisetum hyemale</n> and <n>Rhamnus frangula</n> by <n>Karl Blossfeldt</n> from <n>Urformen der Kunst</n> (1928).