<n>Bâton de pluies</n> is an audiovisual work by graphic artist <n>Lola</n> and composer <n>AIRMOW</n>.

The <n>GD Albio</n> typeface, a contemporary reinterpretation of <n>Gill Sans</n>.

Taiga Takahashi | Inventory

The <n>Bakalao Display</n> typeface, inspired by early rave and parking lot party culture.

Poster for the <n>Folder</n> exhibition at <n>ATIO Studio</n>, designed by <n>Eugenio Emir Blanco</n> and others.

SODAA

Symbol for a brand's visual identity, 2023.

<n>GT Canon</n>, a new serif typeface from <n>Grilli Type</n>.

A graphic from <n>Never Sit Still</n>'s <n>NSS Playground initiative</n>, exploring the motion design tool <n>Cavalry</n>.

The <n>Ceno</n> typeface, designed by <n>Joe Leadbeater</n> for <n>SOCIOTYPE</n>. Graphic design by <n>POSTHUMAN</n>.

A flexible logo system for <n>New Generation</n> designed by <n>Henke Kongsvoll</n> of <n>Bakken & Bæck</n>.

The <n>3 Sec Graphic tool</n> by <n>Studio Studio</n>, an online utility for creating posters with macro and micro typography.

Illustration by <n>Sword and Pencil</n> referencing themes from <n>Fight Club</n> and Christianity.

The <n>Arketa</n> typeface, designed by <n>Outline Online</n>.

A collage of recent motion work and explorations by graphic and motion designer <n>Nikos Christopoulos</n>.

The <n>Lanterne</n> serif typeface, designed by <n>Abel Martins</n> at <n>Family Type</n>.

<n>Kate Winslet</n> on the cover of <n>Port Magazine, Issue 37</n>, photographed by <n>Liz Collins</n>.

Poster for the <n>Nazionale al Nazionale</n> event. Design by <n>Studio Mut</n> and art by <n>Stefan Marx</n>.

The <n>Biarritz Regular</n> typeface by <n>Feliciano Type</n>, inspired by a French typeface from 1894.

Packaging for <n>NOTES DE BAS DE PAJE</n>. Photo by <n>Studio Product</n>.

Type specimen for the <n>Forno Waffle</n> font family.

The website of photographer <n>Piero Martinello</n>, featuring the project <n>The Weight of the Word</n>.

Visual identity for <n>Rampant</n> by designer <n>Andres Briganti</n>.

<n>The Eleventh Hour</n>, a 2026 digital artwork by <n>The Eleventh Hour</n>.

<n>Ballet Sylvia</n>, a 1952 photograph by <n>Paul Himmel</n>.

The <n>Item</n> typeface, designed by <n>Anne Seseke</n> for the research project Machine like Man.

Visual identity for <n>Rosalía</n>'s 2025 album, <n>LUX</n>. Graphic design by <n>Special Offer, Inc.</n>

<n>Ambrosia</n> custom lettering by <n>Folch Studio</n> for a <n>Marset</n> campaign.

The Very Nature of Materiality (the Revised Edition!) by <n>OK-RM</n> and <n>Lila Matsumoto</n>.