Visual Communication

Website for <n>MANYFORMS</n> by <n>Fernando Espeso</n>, using the <n>Diatype</n> typeface from <n>Dinamo Typefaces</n>.

The new corporate design and website for <n>Opernhaus Zürich</n> by design studio <n>Herburg Weiland</n>.

Creative direction by <n>Folch Studio</n> for wearable research brand <n>SAPIENS</n>.

Brand identity for furniture brand <n>SACH</n>, designed by <n>KUBA CS</n> in 2022.

The <n>Year Database Planner</n> by designer <n>Mane Tatulyan</n>.

The <n>Arketa</n> typeface, designed by <n>Outline Online</n> (<n>Samira Schneuwly</n> and <n>Laura Csocsán</n>).

A crime narrative book by <n>Sara Maric</n> in collaboration with the <n>Tatort</n> TV series.

The <n>Informal Office</n> publication, a 2023 thesis project by <n>Alessandro Lanfrancotti</n>, <n>elisea.russo</n>, and <n>annalisa marchetti</n> for <n>ISIA Urbino</n>.

A 3D printed poster, <n>THE GLOVE JUNE</n>, by <n>ཇˡι𝓲𝕆ཀⓉ</n> for <n>The Glove That Fits</n> in Brooklyn.

Visual identity for photographic duo <n>Ander, Sanner</n>, designed by <n>Lundgren+Lindqvist</n>.

The <n>Fast Imagery</n> publication, a BA thesis by graphic designer <n>Cheyenne Cattaneo</n>.

The book <n>Patriarchale Gewalt & Femizide</n> by <n>Luise Klann</n>. Photo by <n>Mario</n>.

<n>kimera release notes 1.00</n> publication and <n>Kim Keychain</n>, designed by <n>kimera</n>. Rendering by <n>Yannik Wenk</n>.

A reimagined graphic for <n>New Balance</n>'s NBRunClub, part of a larger brand partnership.

Visual identity for the <n>Théâtre National de Strasbourg</n> designed by creative studio <n>zoo</n>.

<n>ThemeSystem™</n>, a modular Tumblr theme developed from the design blog <n>SearchSystem™</n>.

The <n>IMAB Group 2022 Sustainability Report</n>, designed by <n>SS16 Studio</n> with a photo essay by <n>Piero Percoco</n>.

Visual identity for the <n>MAPP MTL Festival</n> by <n>Baillat Studio</n>, with creative direction by <n>JS Baillat</n>.

Design by Montreal studio <n>Bzoing</n> for their 10th anniversary.

A 2024 graphic print by <n>CLASSIC FUTURE</n> using the <n>TWK Continental</n> typeface by <n>Guillaume Besson</n>.

<n>RE.Leak</n> (2025) by graphic designer <n>Kevin | Argo</n>, exploring the silent memory of artifacts.

Branding for <n>Outline Online</n>, a type foundry by <n>Samira Schneuwly</n> and <n>Laura Csocsán</n>.

A refreshed visual identity for Swedish outdoor brand <n>Haglöfs</n>, designed by <n>Stockholm Design Lab</n>.

Branding for <n>BadNewsFromTheStars</n>, an artistic research platform by <n>Julie Beauvais</n>. Design by <n>Forme</n>.

An editorial publication from <n>Bauhaus Typography</n> with design by <n>Leonard Behre</n> and <n>Lisa Schulz-Coppi</n>.

The vinyl LP <n>Nozomi</n> by <n>Masako Ohta</n> and <n>Matthias Lindermayr</n>, designed by <n>Maximilian Schachtner</n> for <n>Squama Recordings</n>.

Advertisement for the <n>On Zurich Flagship Store</n>, opening 2025. Design by the <n>On Brand Design team</n>.

<n>OpenAI</n>'s refreshed visual identity, with support from <n>STUDIO DUMBAR/DEPT®</n> and <n>Dinamo Typefaces</n>.

Campaign for <n>RIMOWA</n> by <n>Bareis+Nicolaus</n>, <n>Vitaly Grossmann</n>, and <n>Unknown Untitled</n>.

Poster for the <n>Lausanne Underground Film & Music Festival</n> 2024, designed by <n>Martial Grin</n> and <n>Alix Debraine</n>.